Let Me Take You Down Creation’s Path How the Beatles’ ‘Strawberry Fields Forever’ found its enduring form
In September 1966, John Lennon went to Almería, Spain, mainly to film his only acting role outside the Beatles, in Richard Lester’s “How I Won the War,” but also as a needed respite from Beatlemania, which had turned nightmarish on the world tour that had ended the previous month. There, Lennon examined his life with a detachment that found its way into the gentle ballad “It’s Not Too Bad.” The song proved far more important than the film. By year’s end, the Beatles and their ingenious producer, George Martin—who died at age 90 on March 8—had transformed this folk-like tune into “Strawberry Fields Forever,” a recording (released in 1967) that many critics regard as one of rock’s most enduring masterpieces, a rich-textured, dark-hued four-minute essay in musical and lyrical psychedelia that both captures and transcends its time.
Lennon’s earliest recordings of the song, from Almería, begin not with the laconic refrain that opens the finished recording—“Let me take you down / ’cause I’m going to Strawberry Fields / Nothing is real / And nothing to get hung about”—but with a verse that starts, “No one I think is in my tree.” Lennon never explained this puzzling first line, but it may refer to his feeling of isolation during the backlash surrounding a comment he made earlier that year about the Beatles being “more popular than Jesus.”
By: Allan Kozinn
Source: Wall Street Journal
