Over the past several years, Paul McCartney has been reintroducing music lovers to his former group, Wings. While the band may not be as iconic as The Beatles, or even quite as talked about as McCartney’s solo efforts, its discography is full of gems that fans have loved since they were new, decades ago.

Wings has been celebrated throughout the past several years with multiple re-releases, deluxe editions, and other special projects that highlight the great material it recorded. The band’s Venus and Mars is enjoying a brand new life across the pond as it returns to the charts, and even manages to debut on several tallies.

Venus and Mars shows up on three charts in the U.K. The album debuts on two of those rankings, marking a real comeback for a title that first dropped almost exactly 50 years ago.

The release opens at No. 6 on the Official Vinyl Albums chart, which ranks the bestselling vinyl releases in the country. The same collection also lands at No. 18 on the Official Albums Sales ranking. That tally measures the top-selling full-lengths across all formats, not just vinyl.

While Wings has appeared on the Official Vinyl Albums chart before, top 10 success is still somewhat new for the band. Venus and Mars gives the group just its second-ever top 10 on that tally. The first came last year when Band on the Run, credited to Paul McCartney and Wings, hit No. 3 and managed two weeks somewhere on the list.

Source: forbes.com/Hugh McIntyre

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Mendes was nominated for four Academy Awards and won Best Director in 2000 for his work on American Beauty. More recently, he received critical acclaim for 1917, which earned him his other three Oscar nominations.

Of course, the Beatles are still considered one of the most influential bands in all of music history. They became one of the leading figures in the 1960s counterculture movement and pushed in the "British Invasion" of the US pop market. They racked up 25 Grammy nominations and won eight, including Best New Artist in 1964. From songs like "Here Comes the Sun" to "Come Together" to "Let It Be," the words "music" and "the Beatles" are practically synonymous.

According to the Hollywood Reporter, the films are being made with the blessings of Paul McCartney, Ringo Starr, and the families of John Lennon and George Harrison, who are all offering up the "full life stories and music rights" for the scripted films. Apple Corps, the group's notably selective label, also signed off on the movies.

Source: buzzfeed.com/Nora Dominick

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Sam Mendes confirmed that his long-threatened Beatles biopic quadrilogy would be released in its entirety in April 2028. That’s right, all four Beatles movies want to hold their hands, so Sony is releasing them helter-skelter in theaters in the same month. Based on the logline (“Each man has his own story, but together they are legendary”), we believe the plan is still to do a movie for each Beatle to combine into an interlocking cinematic Voltron.

Sony also made its cast official, too, with Harris Dickinson as John Lennon, Paul Mescal as Paul McCartney, Barry Keoghan as Ringo Starr, and Joseph Quinn as George Harrison. All this raises more questions, such as who’s playing Brian Epstein and George Martin? How many years will it cover? Will the Blue Meanies be involved? We simply do not know. All we know is that each man has his own story, but together they are legendary.

Source: yahoo.com/Matt Schimkowitz

Paul McCartney and John Lennon were not only the dynamic duo behind The Beatles' hits, but they also penned tunes for other big names in the 60s, with McCartney also providing the inspiration for the name of an iconic rock band.

The ECHO has delved into how the pair - whose tense relationship is often cited as one of the reasons why the band split up - crafted The Rolling Stones' first smash 'I Wanna Be Your Man,' as well as supplying chart-toppers to groups like Badfinger with 'Come and Get It' and Peter and Gordon with 'A World Without Love.'

Beatles manager Brian Epstein was well aware of the goldmine he had in John and Paul's songwriting genius, with McCartney once writing 'a huge' song for the Beatles but then giving it to another band. He often tasked them with creating hits or passed on their compositions to other acts under his wing.

One such beneficiary was Bootle's own Billy J. Kramer and his band, The Dakotas. Billy soared to stardom in the swinging sixties, thanks to a series of chart-busters from the Lennon-McCartney team, including 'Bad to Me,' which hit the top spot in the UK charts in 1963, reports the Liverpool Echo.

The origins of 'Bad to Me' are somewhat muddled. Billy claimed in a 1964 interview that it was co-written with Paul in the back of a van.

Yet, John gave a different version in a 1980 Playboy interview, asserting that he wrote it solo while vacationing with Brian in Spain in April 1963. John shared with the magazine: "I was rather enjoying the experience, thinking like a writer all the time."

Source: irishstar.com/Dan Haygarth

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Fans of the legendary songwriter Paul McCartney are calling his work on a movie soundtrack one of the most underrated albums in his discography.

Give My Regards to Broad Street, the film which stars McCartney, along with fellow Beatles member Ringo Starr, was praised by fans who say it is one of the best albums in the Wings frontman’s discography. Though the film did not do much at the box office or for critics at the time, fans of McCartney are suggesting it is one of his most underrated pieces of work and that there are several “great” songs on the album. One user took to the r/PaulMcCartney subreddit and wrote: “The most underrated Macca album is Give My Regards to Broad Street. And I’m not kidding.

“The album is usually maligned more than any other McCartney record (together with Driving Rain and Wild Life). Most songs/versions in Give My Regards to Broad Street are good, and several are just great.” Other users agreed with their assessment of the 1984 album and movie release, but also tipped the Fireman albums as the truly underrated pieces from McCartney’s backlog.

One user wrote: “Technically it’s a Fireman album, but Electric Arguments is greatly underrated.” Another added: “Electric Arguments is one of those albums where I like any given song heard in isolation but for whatever reason feels a bit of a slog to sit through in one listening session.”

Source: cultfollowing.co.uk/Ewan Gleadow

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As the spring season blossoms across the northern hemisphere, music enthusiasts are revisiting legendary compositions, including an extraordinary Beatles gem. George Harrison, often dubbed “the quiet Beatle,” created musical magic with a song written in just three minutes that continues to captivate audiences even in spring 2025.  The three-minute miracle: “It’s all too much”

While George Harrison crafted numerous masterpieces during his career, “It’s All Too Much” stands as the remarkable composition he reportedly wrote in just three minutes. This psychedelic anthem, released on the “Yellow Submarine” album, emerged from a moment of pure inspiration in 1967. Unlike his more celebrated works like Something or Here Comes The Sun, this rapid creation showcases Harrison’s ability to channel spontaneous creativity.

“George had this incredible ability to capture complex emotions in simple melodies. ‘It’s All Too Much’ came to him almost fully formed – a brilliant example of his songwriting efficiency,” notes Dr. Emily Richardson, Professor of Music History at Berkeley School of Music.

As we enjoy the refreshing changes of spring, it’s fitting to remember Harrison’s own musical rebirth. The late 1960s represented his creative spring – a period when he emerged from the shadow of Lennon-McCartney to establish his unique voice. This three-minute creation period symbolizes the spontaneous blooming of his artistic confidence.

Source: journee-mondiale.com

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