Beatles News
‘I’ll be around for another 60 years’: Lost tapes reveal John Lennon’s best-laid plans. Only ‘acts of God’ can stop me making music, former Beatle told DJ five years before he was shot dead in New York
John Lennon said he believed he would keep making music for “another 60 years” five years before his death, a newly-unearthed recording has revealed. The Beatles star was shot dead outside his residence in New York in 1980, aged 40.
In the interview, carried out by DJ Nicky Horne in 1975, he said: “Apart from acts of God, I will be around for another 60 years and doing it until I drop.”
Horne recently rediscovered the original recordings in his basement, and elsewhere in the conversation Lennon said he was dissatisfied with his work and wanted to throw away his album Walls and Bridges.
Mark Chapman shot Lennon in the back four times when the musician returned home on Dec 8 1980. Just hours before, Lennon had signed an autograph for Chapman, who remains in prison. Horne said Lennon had made him feel comfortable by baking him chocolate cookies and insisting on doing the interview cross-legged on the carpet in his apartment.
During the chat, the musician expressed fears that his phones had been tapped by the FBI. He had been an outspoken critic of Richard Nixon at the time.
The Guardian has reported that Lennon said: “I know the difference between the phone being normal when I pick it up and when every time I pick it up, there’s a lot of noises.
“[The administration was] coming for me one way or the other; I mean, they were harassing me. And I’d open the door and there’d be guys standing on the other side of the street. I’d get in a car and they’d be following me in a car and not hiding.”
The full interview is to be aired on Boom Radio at 9pm on Wednesday, on the eve of what would have been Lennon’s 85th birthday.
Source: Craig Simpson/telegraph.co.uk
The upcoming quartet of Beatles biopics is one of the most intriguing film projects currently in the works – and one of the stars of the movies has given an update about his "dream" role in Sam Mendes's ambitious project.
Harris Dickinson – who will portray John Lennon in all four films – spoke to RadioTimes.com about the process of getting into character as the iconic musician during an exclusive interview to promote his directorial debut Urchin.
“ It's been amazing," he said. "It's such a unique experience to play someone of that calibre. I mean, it's intimidating, but it’s enriching, it's like an opportunity to delve into something incredibly complex and challenging, which I've loved."
He continued: "I feel really lucky to go to work every day and get to, kind of, attempt to dig into who and what that is."
The films will also star Paul Mescal as Paul McCartney, Joseph Quinn as George Harrison and Barry Keoghan as Ringo Starr, with a lengthy shoot having got under way during the summer.
Some reports have suggested that the filming process will take as long as 15 months ahead of the simultaneous release of all four films in 2028, but Dickinson has by no means been put off by the huge commitment required to take part.
"[ It’s] inevitably longer, but I think that's what you want as an actor," he explained. "You wanna be able to spend a good amount of time on something and get a good opportunity to really invest in it properly. That's kind of the dream.”
Harris Dickinson, Paul Mescal, Barry Keoghan and Joseph Quinn against a white background
After months of speculation, Dickinson and his co-stars were officially unveiled as the Fab Four during a surprise appearance at CinemaCon in Las Vegas back in April, in which they recited lyrics from the band’s song Sgt Pepper’s Lonely Hearts Club Band and then took a Beatles-style synchronised bow.
The official longline for The Beatles – A Four-Film Cinematic Event reads (via Deadline): "Each man has his own story, but together they are legendary."
The Beatles films will be released in April 2028.
Source: radiotimes.com/Patrick Cremona
Four-time Academy Award nominee Saoirse Ronan (Brooklyn) has inked a deal to play Linda McCartney, the first wife of The Beatles’ Paul McCartney, in Sam Mendes’ The Beatles — A Four-Film Cinematic Event, multiple sources tell Deadline.
Reps for Sony declined to comment. Ronan joins a cast that includes Paul Mescal as Paul McCartney, Barry Keoghan as Ringo Starr, Joseph Quinn as George Harrison, and Harris Dickinson as John Lennon. With each of the Mendes-directed Beatles films telling the story of a different member of the band, Ronan is expected to feature prominently in the installment centered on McCartney, though it’ s unknown to what extent she might appear in the other three.
Linda McCartney was a photographer, musician and animal rights activist who rose to prominence in the 1960s with her portraiture of The Rolling Stones, Jimi Hendrix and The Doors. The first female photographer to have her work on the cover of Rolling Stone, she married Paul McCartney in 1969 and worked alongside him as part of his band Wings in his post-Beatles career. A passionate advocate for vegetarianism and animal welfare, she launched her own company, Linda McCartney Foods, in 1991 and passed away from cancer in 1998.
We were first to report on the Beatles films from Mendes, all of which will be released in theaters in April 2028, in a bold experiment in eventizing. Mendes will direct from scripts written by Jez Butterworth, Peter Straughan and Jack Thorne, as we told you first, though it’s unclear which projects each is tackling. A collaboration between Sony Pictures Entertainment and Mendes’ Neal Street Productions, the films will be produced by Mendes, Pippa Harris and Julie Pastor of Neal Street, as well as Alexandra Derbyshire, in association with Apple Corps for Sony Pictures.
This marks the first time that The Beatles and Apple Corps Ltd. have authorized the use of the band members’ life stories and music in scripted films. In addition to distributing, Sony Pictures is the financier of these projects.
An Irish actress known for her work in prestige pictures like Brooklyn, Lady Bird and Little Women, Ronan has most recently been seen in Nora Fingscheidt’s The Outrun and Steve McQueen’s Blitz. Up next, she’ll be seen starring in Bad Apples, a dark comedy from filmmaker Jonatan Etzler that’s coming off its world premiere at TIFF. As we first reported, she’s also set to star opposite Austin Butler in Deep Cuts, a music-themed A24 love story from The Iron Claw’s Sean Durkin, adapting the debut novel by Holly Brickley.
Source: Matt Grobar/deadline.com
For the first time since it was originally published in 2000, Chronicle Books will release The Beatles Anthology, 25th Anniversary Edition in a unique co-release with Disney+, UMG, and Apple Corps
The Beatles’ expanded Anthology Collection music releases will also be released Nov. 21 by Apple Corps Ltd./Capitol/UMe
The Beatles’ restored, expanded “Anthology” documentary series begins streaming November 26 on Disney+
RINGO: In 1963 the attitude of my whole family changed. They treated me like a different person.
One absolutely clear vision I had was round at my auntie’s, where I’d been a thousand times before. We were having a cup of tea one night and somebody knocked the coffee table and my tea spilt into my saucer. Everyone’s reaction was, "He can’t have that. We have to tidy up." That would never have happened before. I thought then, "Things are changing." It was absolutely an arrow in the brain.
Suddenly I was "one of those," even within my family, and it was very difficult to get used to. I’d grown up and lived with these people and now I found myself in Weirdland.
GEORGE: My family changed, but in a nice way. They were so knocked out with the whole idea of what was happening. Anybody would be. Everybody likes success, but when it came on that scale it was ridiculous. They loved it.
My mother was a nice person, but she was naive; as we all were in Liverpool in those days. She used to write to anybody who’d written to us, answering the fan mail. She’d answer letters from people saying, "Dear Mr Harrison, can you give us one of Paul McCartney’s toenails?" Still, to this day, people come up to me brandishing letters that my mother once wrote to them. Even back when I was a kid, she had pen-pals, people who lived in Northumberland or New Zealand or somewhere, people she’d never met: just writing and sending photographs to each other.
RINGO: Home and family were the two things I didn’t want to change, because it had all changed "out there" and we were no longer really sure who our friends were, unless we’d had them before the fame. The guys and the girls I used to hang about with I could trust. But once we’d become big and famous, we soon learnt that people were with us only because of the vague notoriety of being "a Beatle." And when this happened in the family, it was quite a blow. I didn’t know what to do about it; I couldn’t stand up and say, "Treat me like you used to," because that would be acting "big time."
The other thing that happens when you become famous is that people start to think you know something. They all want to know what you think about this and that, and I would blah on — as a 22/23-year-old — as if suddenly I knew. I could talk about anything, I knew exactly how the country should be run, and why and how this should happen; suddenly I was a blaher: "Yeah, Mr Blah here, what do you want to know?" It was so crazy. I remember endless discussions that went on for days and days — nights and days, actually, discussing the world, discussing music.
Source: Lizz Schumer/people.com
Imagine, released in 1971, dug as deep lyrically as John Lennon’s solo debut (John Lennon/Plastic Ono Band). But Lennon also focused on making the album a more commercial affair that would reach a wider audience. He ended up with perhaps the most beloved album of his career. Here are five tidbits of trivia surrounding the songs on Imagine.
The whole idea behind the Imagine album was for John Lennon to deliver his opinions and beliefs in ways that were much more palatable to the music listening masses. Thanks to this strategy, the title track became an anthem almost instantly upon its release. Lennon had borrowed some ideas from Yoko Ono’s work for the concept of imagining a better world. After the song was released, Lennon mused that he should have given Ono credit as a co-writer. Years later, he would make good on his devotion to Ono’s musical input, as she would write and sing half the songs on Double Fantasy.
John Lennon did everything he could to leave behind the specter of The Beatles once he left the group. On his first solo album, he even included the song “God”, which made clear his intention to put the Fab Four in his rear view mirror. But he didn’t shy away from some of the writing he did before the band broke up. In the case of “Jealous Guy”, Lennon reached back to a song that he wrote back in 1968 when he was on retreat in India with his other Beatles. It was originally called “Child Of Nature” and was inspired by a lecture given by the Maharishi Mahesh Yogi.
Source: Jim Beviglia/americansongwriter.com
April 10, 1970, is one of the most memorable days in music history. It is the day the world lost the greatest band of all time, The Beatles. The Beatles’ breakup came in the form of a press release announced by Paul McCartney. To this day, the breakup seemingly makes many skip a heartbeat and lose a breath or two. It was just that culturally severe to the world. Though it wasn’t unexpected, as The Beatles’ breakup was years in the making, and their growing divide was rather common knowledge.
The most common timeline of The Beatles’ demise more or less starts in 1968 with the recording of the White Album and ends in 1970 with McCartney’s announcement. That is the arc the majority of fans refer to and have accepted. However, a source close to The Beatles once said that their demise started years before their end. Specifically, after The Beatles quit touring.
That source is Hunter Davies, the author of the only authorized biography of The Beatles. According to Davies, The Beatles’ decline started before the White Album, and in total, lasted roughly around four years.
Source: Peter Burditt/americansongwriter.com
Las Vegas has hosted its share of spectacles (and then some), but nothing quite like the night Sir Paul McCartney turned Allegiant Stadium into Abbey Road West. One of pop music’s most celebrated living legends brought his Got Back tour to Sin City, and the result was a euphoric, nearly three-hour romp through a rock n’ roll time machine that had nearly 60,000 fans singing, dancing, crying, and grinning like teenagers seeing The Beatles on Ed Sullivan all over again.
It was McCartney’s first show at Las Vegas’ shiny Allegiant Stadium—opened in 2020—and the energy was off the charts from the opening chord. With no Los Angeles stop on this leg, the stars turned out in force, with Amy Schumer, Drew Carey, and even Celine Dion among the crowd of fans and fellow icons who came to worship at the altar of Macca.
McCartney remains the embodiment of rock’s eternal youth. At 83 years young, he’s still cheeky, tireless, and bounding across the stage like a man half his age. This Got Back run marks his first major North American tour since 2022, and though he’s now playing to grandkids of his original fans, the music has lost none of its bite or brilliance.
He and his band—including Wix Wickens on keys, Rusty Anderson and Brian Ray on guitars, Abe Laboriel Jr. on drums, and the Hot City Horns—opened with “Help!”, Paul’s voice as bright and urgent as ever, before slamming into “Coming Up”. “This world needs a little peace and understanding,” he said in earnest, before nodding to his show as the biggest party in Vegas on a Saturday night. That led into a run of “Got to Get You Into My Life”, “Drive My Car”, and a horn-soaked “Letting Go”.
Source: liveforlivemusic.com/Josh Martin
Sony's long-awaited Beatles movie biopic plans are finally coming together.
Director Sam Mendes took the stage at CinemaCon in Las Vegas to reveal the cast for the features and said that all four films are set for theatrical release in April 2028. The surprising plans to make four films - one for each member of the famed band - were first announced last year.
Drumroll, please: Mendes also brought the cast onstage. Set to star in the films are Paul Mescal as Paul McCartney, Harris Dickinson as John Lennon, Joseph Quinn as George Harrison, and Barry Keoghan as Ringo Starr. Each of the four movies will focus on one of the members of the Fab Four.
"We're not just making one film about the Beatles - we're making four," Mendes said. "Perhaps this is a chance to understand them a little more deeply."
Mendes claimed that Sony film boss Tom Rothman called the projects "the first binge-able theatrical experience." After hitting the stage, all four actors recited lyrics from the band's song "Sgt. Pepper's Lonely Hearts Club Band" and then took a Beatles-style synchronized bow.
"You have to match the boldness of the idea with a bold release strategy," Rothman told The Hollywood Reporter last year about the project that earned the Oscar-winning director a coveted signoff from the group's selective label Apple Corps. "There hasn't been an enterprise like this before, and you can't think about it in traditional releasing terms."
Source: MSN
Sixty-two years ago today, on October 5, 1962, a single song marked the start of the most influential band in modern music history. “Love Me Do” introduced The Beatles to the world and launched a career that would transform popular music forever.
“Love Me Do” was released in the United Kingdom by Parlophone Records, under the catalogue number R4949, according to the official Beatles website. It was backed with “P.S. I Love You,” and became The Beatles’ debut single after years of performing in Liverpool and Hamburg clubs.
The song was one of the earliest originals from John Lennon and Paul McCartney, written several years before the group was signed. Early recordings featured three different drummers – Pete Best, Ringo Starr, and session player Andy White. Each one offered a slightly different sound that captured the band’s developing identity.
Though “Love Me Do” only reached No. 17 on the UK Singles Chart in December 1962, it was a big deal for an unknown band with no radio reputation. The harmonica-led tune and dual vocals by Lennon and McCartney gave the track a unique sound that set it apart from the heavily orchestrated pop that was dominating British airwaves at the time.
For The Beatles, “Love Me Do” was proof that original songwriting could connect with a mass audience. At the time, most new artists launched with cover songs, but this release showcased Lennon and McCartney’s ability to write and perform their own material.
The Beatles relaxing on a sofa during their early years in London.
When “Love Me Do” was reissued in the United States in 1964, at the height of Beatlemania, it reached No. 1 on the Billboard Hot 100, confirming that the little tune from 1962 had become a global phenomenon.
Plus, its influence extended beyond the charts. The single demonstrated the band’s signature blend of catchy melody and authentic charm, a formula that would soon define 1960s pop.
After “Love Me Do,” The Beatles released “Please Please Me,” “She Loves You” and “I Want to Hold Your Hand.” With each song, their popularity skyrocketed and before long, they became the biggest act in the world.
In 1982, to mark the single’s 20th anniversary, EMI reissued “Love Me Do” in the UK, where it climbed to No. 4 and was proof that the song’s appeal had continued across generations.
Today, “Love Me Do” is remembered as the song that opened the door. With just a few harmonica notes and two voices in harmony, The Beatles began the journey that cemented them in pop culture history.
Source: Whitney Danhauer/parade.com
The first recorded use of guitar feedback can be found on The Beatles‘ I Feel Fine, according to John Lennon.
The guitarist claimed he and George Harrison‘s work on the track would be an innovative moment not just for the band but for music history, as it is allegedly the first recorded example of guitar feedback. Lennon would claim this in interviews after The Beatles broke up, where he would speak highly of the song. Lennon once described his work with Harrison on the A-side track as featuring a “typical Beatles bit”, and it seems to have worked. The song would top the charts in the UK and the US on release. Lennon would suggest I Feel Fine featured the first “feedback”, and doubled down on it in later interviews, going as far as to say The Beatles were ahead of Jimi Hendrix and The Who.
He said in 1972: “This was the first time feedback was used on a record. It’s right at the beginning.” Lennon would claim again in 1980 in an interview with Playboy, issuing a challenge for anyone to find a conscious use of guitar feedback. He said: “That’s me completely. Including the guitar lick with the first feedback anywhere.
“I defy anybody to find a record… unless it is some old blues record from 1922… that uses feedback that way. So I claim it for the Beatles. Before Hendrix, before The Who, before anybody. The first feedback on record.”
Before these claims surfaced, Lennon would suggest I Feel Fine is more a “typical Beatles bit” than anything else. He said: “George and I play the same bit on the guitar together– that’s the bit that’ll set your feet a-tapping, as the reviews say. The middle-eight is the most tuneful part, to me, because it’s a typical Beatles bit.”
Source: Ewan Gleadow/cultfollowing.co.uk
