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Critics and music lovers have been scouring the Beatles discography for deeper hidden meanings and profound messages from the Fab Four for decades, but the track Paul McCartney chose as his iconic band’s “most philosophical song” is honestly a bit surprising. To his credit, McCartney offered his pick for the most metaphysical Beatles song in 1967, which predates albums like their eponymous “White Album,” Abbey Road, and their final record, Let It Be.

Nevertheless, even in 1967, McCartney’s choice seems a little odd. But then again, maybe that’s a consequence of assuming philosophy needs to be complex and near-indecipherable.
Paul McCartney Picks Most Philosophical Beatles Song

In 1967, Paul McCartney sat down for an interview with British artist, designer, and illustrator Alan Aldridge. The contemporaries discussed hidden meanings behind Beatles songs that, for the most part, McCartney said were largely fan-produced. “We write songs. We know what we mean by them,” he said. “But in a week, someone else says something about it, says that it means that as well, and you can’t deny it. Things take on millions of meanings. I don’t understand it.”

These “millions of meanings” include covert references to psychedelics, á la “Lucy in the Sky with Diamonds.” Other misinterpretations included “Dr. Robert,” who some believed to be a psychiatrist, when in actuality, the character was just an inside joke in the Fab Four about doctors who freely prescribed pills in the States.

Source: americansongwriter.com/Melanie Davis

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McCartney started with the man in the mirror. He released his first solo album in 1970, only a week after he announced his departure from the world's favorite rock band. The album wasn't a polished work like people had come to expect from The Beatles. After years of creating music to be perfect, grand, and complete, McCartney made an experimental stripped-back album. The very personal project was fittingly titled McCartney. His next album was a joint venture from him and his wife, Linda McCartney; Ram is a work of familial love. While it wasn't beloved by critics at the time, putting years between the listening experience and the immediate sting of grief many felt post-Beatlemania reveals an honest and joyful celebration of domesticity.

It wasn't long before Paul McCartney found himself back in a band. A year after the end of The Beatles, McCartney formed Paul McCartney and Wings, also known simply as Wings. This group is perhaps the most successful venture McCartney had after The Beatles.

Source: screenrant.com/Rebekah Hendricks

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We are getting our first look at Ringo Starr’s upcoming CBS special, Ringo & Friends at the Ryman.

The network has shared a clip of Ringo performing his solo track “It Don’t Come Easy,” joined by Sheryl Crow, country star Mickey Guyton and Americana artist Molly Tuttle.

Ringo & Friends at the Ryman premieres Monday at 8 p.m. ET on CBS and Paramount+. It was recorded during Ringo’s two nights at Nashville’s Ryman Auditorium in January, following the release of his new country album, Look Up.

Other special guests joining Ringo during the show include Jack White, Brenda Lee, Billy Strings, Rodney Crowell and The War and Treaty.

Source: kshe95.com

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On This Day George Harrison Met the Quarrymen. February 6, 1958, is often credited with being the day George Harrison first saw the Quarrymen perform. Fronted by John Lennon, Paul McCartney had also joined the band at this point and seeing the performance left an impression on George.

'I'd been invited to see them play several times by Paul but for some reason never got around to it before. I remember being very impressed with John's big thick sideboards and trendy Teddy Boy clothes. In a way, all that emotional rough stuff was simply a way for him to help separate the men from the boys, I think. I was never intimidated by him. Whenever he had a go at me I just gave him a little bit of his own right back.' - George Harrison

While there is disagreement about 6th February being the day George first saw the Quarrymen, we know that this event, whichever day, would be a pivotal moment in the young Beatles' life.

George went on to join the band himself at the young age of 15, and so the foundations to the Beatles were set. It was Paul's brother and budding photographer, Mike McCartney, who took the first ever colour photo of the trio as they performed at the wedding reception of Paul and Mike's cousin.

In Mike McCartney's Early Liverpool, the early days of the Beatles and their rise to fame is documented through Mike McCartney's exquisite photographs. Featured alongside original commentary, his photographs also capture other talent to come out of Liverpool, including his own group, the Scaffold.

Source: Genisis 50 Publications

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Paul tried his hardest to get the vocals right

Paul McCartney and John Lennon didn't always see eye to eye. In the early days of The Beatles, the two would write songs as they sat together in Paul's childhood home on Forthlin Road in Allerton.

However, as they got older and artistic differences emerged within the band in the second half of the 1960s, John and Paul tended to write independently. Often, they would write the basis of a song before presenting it to the other for final tweaks and touches.

Occasionally they would clash and recording sessions for 'The White Album' and what became 'Let it Be' were marked by tempestuous moods, which resulted in Ringo Starr and George Harrison leaving the band for periods. John also shared his disdain for some of Paul's later work with The Beatles, saying he disliked the 1967 album 'Sgt Pepper's Lonely Hearts Club Band', the single 'Let it Be' and the closing medley on 'Abbey Road', which he called 'junk'.

It wasn't just the final songs on 'Abbey Road' that John shared his disdain for. He also wasn't happy with the finished product of 'Oh!

Source: liverpoolecho.co.uk/Dan Haygarth

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Because he left us way too soon, and because he didn’t record all that much in the last few decades of his life, the George Harrison solo catalog isn’t all that extensive. He still left behind a wealth of great music, including some excellent album-closers.

One note: For this list, we considered all three LPs included in All Things Must Pass as individual albums. Here are five outstanding final songs that left George Harrison fans wanting more.


5. “I Got My Mind Set on You” from Cloud Nine (1987)

Weird Al Yankovic wasn’t all that far off when he parodied this track as “(This Song’s Just) Six Words Long.” Harrison first heard it, as recorded by James Ray, when he was visiting the United States in 1963, before The Beatles had broken big in America. One day during the sessions for Cloud Nine, keyboardist Gary Wright (of “Dream Weaver” fame) started playing the chords of “I Got My Mind Set on You,” and Harrison immediately chimed in with the lyrics. The fun he’s having singing translates to the listener, as the song sparked his comeback by becoming a surprise No. 1 hit.

Source: americansongwriter.com/Jim Beviglia

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The Beatles were blessed with four outstanding vocalists to deliver their wonderful songs. They really didn’t have any need to go looking outside the band for somebody else to bring something to the mic they couldn’t.

But there were a few occasions when someone who wasn’t a member of the group can be heard singing on a Beatles track. Some of them might be obvious to you, while others you might have either forgotten or not even realized.
“All You Need Is Love” from Magical Mystery Tour (1967)

You might not realize it when you hear it on the radio, but “All You Need Is Love,” aside from a prerecorded backing track, was mostly a live take. The Beatles performed the song in front of a worldwide audience for the first-ever international satellite broadcast. In honor of the occasion, the group invited a bunch of friends to come and sit in during the show. These luminaries sang along with the chorus as the song faded out. Among the famous folks included: Mick Jagger, Marianne Faithfull, Eric Clapton, Keith Moon, and Graham Nash.

Source: americansongwriter.com/Jim Beviglia

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John went through a run of writing songs about his struggles.  The Beatles monumental early success meant they were catapulted to fame. Less than 18 months after the UK release of their debut single 'Love Me Do' in October 1962, they were watched by 73 million Americans on the Ed Sullivan show as the track 'I Want to Hold Your Hand' took the USA by storm.

They became the most famous people in the world and it all happened very quickly. It was not easy for Paul McCartney, George Harrison, John Lennon and Ringo Starr to adapt to - and John used those struggles to inspire some of his music.

In an interview with Playboy in 1980, he said: "The whole Beatles thing was just beyond comprehension. I was subconsciously crying out for help".

That cry for help became the song 'Help!', which was the title track for the band's second film and accompanying album. John began writing the song in spring 1965, after the title for the band's forthcoming film was changed.

According to John's friend Stanley Parkes, he: "came in from the studio one night. 'God,' he said, 'they've changed the title of the film: it's going to be called 'Help!' now. So I've had to write a new song with the title called 'Help!'."

Source: Dan Haygarth/liverpoolecho.co.uk

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Paul McCartney Asks Rock Hall of Fame to Induct Joe Cocker: ‘He Would Be Extremely Happy’ to ‘Find Himself Where He Deserves to Be’
Paul McCartney is petitioning for late English blues-rock singer Joe Cocker to be inducted into the Rock Hall of Fame this year.

In a letter dated Feb. 25, and addressed to “rock and rollers,” McCartney described Cocker, who died in 2014 at age 70, as a “great man and a fine singer” with a unique style. “He sang one of our songs, ‘With A Little Help From My Friends,’ a version produced by Denny Cordell, which was very imaginative,” McCartney wrote.

Indeed, the Sheffield-born singer’s 1968 interpretation of the Beatles’ “With a Little Help From My Friends” put a electric spin on the classic, as memorably parodied by John Belushi on “Saturday Night Live.”

Source:variety.com/Thania Garcia

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Ringo Starr and His All Starr Band’s tireless Peace and Love tour is returning to the Strip.

It’s an unofficial title, but it Starr’s enduring message. His band is back at The Venetian Theatre from Sept. 17, 19, 20, 24, 26 and 27 . All shows are at 8:30 p.m., and tickets are on sale 10 a.m. Friday Pacific time at Ticketmaster.com.

Steve Lukather, Colin Hay, Warren Ham, Hamish Stuart, Buck Johnson and Gregg Bissonette make up the current All Starrs. The band most recently played The Venetian for three dates in May.

Starr has released his first country album, “Look Up.” He played the Ryman Auditorium in Nashville on Jan. 14-15, to air as “Ringo & Friends Play the Ryman” at 8 p.m. Pacific/Eastern on Monday and streaming on Paramount+ in the U.S.

Starr’s superstar friends in that special include Sheryl Crow, Rodney Crowell, Mickey Guyton, Emmylou Harris, Sarah Jarosz, Jamey Johnson, Brenda Lee, Larkin Poe, Billy Strings, Molly Tuttle, The War And Treaty and Jack White.

Starr assembled his band in 1989 and has toured consistently since, frequently switching up the roster. His shows at The Venetian have usually lasted up to 2½ hours, with Starr’s band playing their own selections along with Ringo’s songs with the Beatles and his solo hits.

Source: reviewjournal.com/John Katsilometes

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