Beatles News
Behind every great man there’s a great woman, the saying goes – and now the fabulous four women behind The Beatles are to be portrayed by four great Hollywood actresses.
Skyfall director Sam Mendes, who is producing four linked films, each focusing on a different member of The Beatles, has now cast the Fab Four’s wives for the ambitious project.
White Lotus star Aimee Lou Wood, 31, will play George Harrison’s wife Pattie Boyd, while Irish Oscar nominee Saoirse Ronan, 31, has been cast as Linda McCartney, the muse to many of Paul McCartney’s songs.
Anna Sawai, 33, who has made a name for herself in the US drama series Shogun, will appear as John Lennon’s wife Yoko Ono, and British actress Mia McKenna-Bruce, 28, will play Maureen Cox, the wife of Ringo Starr.
In Mendes’s four films, Saltburn star Barry Keoghan, 33, plays Starr, Fantastic Four actor Joseph Quinn, 31, will be Harrison, leading Triangle Of Sadness cast member Harris Dickinson, 29, takes on the Lennon role and Gladiator II hunk Paul Mescal, 29, will be McCartney.
Irish Oscar nominee Saoirse Ronan , 31, has been cast as Linda McCartney, the muse to many of Paul McCartney’s songs
Paul McCartney and his wife Linda McCartney, of British rock group Wings, at Abbey Road Studios to record the album 'Venus And Mars' in 1974
White Lotus star Aimee Lou Wood , 31, will play George Harrison’s wife Pattie Boyd. Guitarist George Harrison poses for a portrait with his Pattie Boyd in 1966. Anna Sawai, 33, who has made a name for herself in the US drama series Shogun, will appear as John Lennon ’s wife Yoko Ono
John Lennon and Yoko Ono at their home at Tittenhurst Park in 1970.
Source: Katie Hind Consultant/dailymail.co.uk
The strangest rumour started floating around just as the Beatles were breaking up – that I was dead. We had heard it long before, but suddenly, in that autumn of 1969, stirred up by a DJ in America, it took on a force all its own, so that millions of fans around the world believed I was actually gone.
At one point, I turned to my new wife and asked, “Linda, how can I possibly be dead?” She smiled as she held our new baby, Mary, as aware of the power of gossip and the absurdity of these ridiculous newspaper headlines as I was. But she did point out that we had beaten a hasty retreat from London to our remote farm up in Scotland, precisely to get away from the kind of malevolent talk that was bringing the Beatles down.
But now that over a half century has passed since those truly crazy times, I’m beginning to think that the rumours were more accurate than one might have thought at the time. In so many ways, I was dead … A 27-year-old about-to-become-ex-Beatle, drowning in a sea of legal and personal rows that were sapping my energy, in need of a complete life makeover. Would I ever be able to move on from what had been an amazing decade, I thought. Would I be able to surmount the crises that seemed to be exploding daily?
Source: Paul McCartney/theguardian.com
On January 30, 1969, for just shy of 45 minutes, The Beatles delivered what would be the final public performance of their decade-long career. A bittersweet but ultimately very cool moment, the Fab Four took to the roof of Apple Corps headquarters in London, with session musician (and often-labeled Fifth Beatle) Billy Preston in tow. The group performed nine songs. However, they only performed different takes of five new songs that would be found on their final record, Let It Be. The Beatles’ rooftop concert also featured a rendition of “God Save The Queen”.
This is one of The Beatles’ best songs of all time, and one of John Lennon’s most impassioned performances. Interestingly enough, “Don’t Let Me Down” would go through quite a few changes before this first public performance of the song. In the weeks leading up to the concert, “Don’t Let Me Down” went through a number of changes before it was completed. Lennon also admittedly struggled with the high notes found in the chorus of the song. Lennon also hoped that the recording of that first take during The Beatles’ rooftop concert would be good enough for the album. Sadly, Lennon forgot the lyrics in the last verse, which led to a second take later.
If you were there or remember this performance, it was around this time that the cops started to show up to shut down the impromptu concert.
Source: Em Casalena/americansongwriter.com
On a November day in 1970, at a momentous time in the most consequential year of his life, one of the most famous people in the world was sitting alone on a blanket by the ocean south of the pier in Deerfield Beach, as far away from the pressure of being George Harrison as he could get.
The Beatles guitarist and songwriter had just days before put the finishing touches on his solo album, “All Things Must Pass,” a deeply personal statement that would forever change critical perceptions of Harrison as an artist. As he sat on the beach, the album was mere weeks away from being revealed to the public on Nov. 27.
At the same time, the album’s release would be tangible evidence, if the world still needed it, that the long and winding road of the Beatles’ fractious breakup was coming to an end. Paul McCartney would file a lawsuit to dissolve the partnership the following month.
The rumor of Harrison’s presence over the course of some 10 days in Deerfield Beach — closely guarded by locals, some who admit to never having actually seen him — sounds so unlikely, so fantastical, that it’s fair to wonder if it actually happened. George Harrison in Deerfield Beach? Seriously?
Longtime resident Jeff Fisk, a Beatles fan from an early age who bought the 45 of Harrison’s single “My Sweet Lord” on the day it was released, was a fifth-grader when the chatter hit the playground at St. Ambrose Catholic School in January 1971.
The story he heard, which had spread through the local surfing community, was too good to be true: Harrison was at the beach when he was recognized by a surfer chasing after his board and, upon questioning, admitted his identity. The surfer, a respected figure on the waves in Deerfield Beach, was named Paul McCartney.
Source: Ben Crandell, South Florida Sun-Sentinel
Director Sam Mendes' "The Beatles – A Four-Film Cinematic Event" has cast some power women actors for pivotal roles.
Sony Pictures announced Friday, Oct. 31, that "Shogun" star Anna Sawai will play John Lennon's wife Yoko Ono, and "White Lotus" star Aimee Lou Wood will star as George Harrison's wife Pattie Boyd, who later married Eric Clapton.
Mia McKenna-Bruce will star as Ringo Starr's first wife, Maureen Starkey (née Cox), and Saoirse Ronan will play Paul McCartney's wife, Linda McCartney (née Eastman). "Maureen, Linda, Yoko and Pattie are four fascinating and unique figures in their own right - and I’m thrilled that we’ve managed to persuade four of the most talented women working in film today to join this amazing adventure," Mendes said in a statement.
At CinemaCom in April, Mendes announced the stars of these intersecting music biopics: Paul Mescal is playing McCartney, Joseph Quinn will play Harrison, Barry Keoghan will be drumming as Starr, and Harris Dickinson has been cast as Lennon.
"The Beatles changed my understanding of music. Pretty much, they made up my first memories," Mendes said in April. He revealed that all four films – which will be in production for over a year – will come out in April 2028, calling it "the first binge-able theatrical experience."
Here's the brief bios on the real-life characters:
Linda Eastman (Ronan) was a celebrated photographer when she met Paul McCartney in 1967. There was an instant attraction and McCartney later said, "The first time I saw her, I just knew."
John Lennon first met the Japanese artist Yoko Ono (Sawai) at a London exhibition of her work. Although Lennon was married at the time, he was immediately intrigued by Yoko, and the two eventually became inseparable creative partners for the rest of his life.
Pattie Boyd (Wood) was a successful model when in 1964 she met George Harrison on the set of the Beatles movie "A Hard Day’s Night." The two began dating and later married, with Boyd sharing Harrison’s growing interest in Eastern mysticism.
Maureen Cox (Mia McKenna-Bruce) was an early fan of The Beatles who met Ringo Starr at the Cavern Club in 1962. Their romance blossomed quickly. They married in 1965 and had three children together.
Source: Bryan Alexander/usatoday.com
Legendary drummer Ringo Starr reportedly fell on stage during a recent concert.
TMZ reported Starr, 83, took the tumble while he was performing with his "All-Starr Band"at Rio Rancho Events Center in Albuquerque, New Mexico Wednesday night.
The media outlet said Starr tripped while he was singing "Give Peace A Chance" during the show's encore. "But he got right back up and made light of the sitch -- while continuing the show," TMZ reported.
Starr and his band, which is comprised of artists such as Edgar Winter, Steve Lukather, Colin Hay, Warren Ham, Gregg Bissonette, and Hamish Stuart, just kicked off a fall 2023 tour. With a little help from my friends, we're getting together again. I know we're going to be in a city near you, so peace and love," Starr says in a video he shared on social media. "Hope to see you."
The band was forced to postpone several shows in 2022 because he and a few fellow members tested positive for COVID. The shows were originally planned for 2020, but were initially postponed due to the pandemic.
Starr, whose real name is Richard Starkey, is a nine-time Grammy Award winner. He and Paul McCartney are the two surviving members of the classic rock band The Beatles.
John Lennon was 40 years old when he was shot and killed outside his New York apartment building on Dec. 8, 1980. George Harrison died at the age of 58 on Nov. 29, 2001 after a long battle with cancer.
Source: JESSICA A. BOTELHO /wgxa.tv
Despite years in the spotlight as The Beatles rose to become one of the most successful rock acts ever, John Lennon once revealed that his post-band period brought him the greatest joy.
However, his son Sean Ono Lennon has now clarified his father's remarks from decades past. After emerging in the 1960s and rapidly achieving global superstardom, The Beatles were considered the world's premier musical phenomenon, though their collaboration essentially concluded in the early 1970s when Paul McCartney departed the group.
As a solo performer residing in America with his wife, Yoko Ono, Lennon performed two shows at Madison Square Garden in 1972 for the "One to One" benefit concerts, which supported children with disabilities.
After those Madison Square Garden performances with his wife, he notably declared, "That Madison Square Garden gig was the best music I enjoyed playing since the Cavern or even Hamburg."
Yet during a conversation with Lennon's son Sean on BBC Radio 6 Music, host Chris Hawkins questioned whether his father's post-Madison Square Garden remarks indicated he "had fallen out of love with music?"
Sean responded by suggesting there was "a bit of a myth around that," explaining he believed his dad's statements better reflected John having "fallen out of love with a certain kind of fame."
Elaborating further, he revealed his father's genuine feelings about The Beatles, explaining, "I think he'd fallen out of love with having to be part of the machinery of a pop machine, you know.
"I think that was, even though he was always rebellious within that framework, I think that he still resented, you know, having to be a Beatle in a way. I think he really wanted to move on from that, you know."
Lennon was often the most critical of The Beatles' endeavors, both in and out of the recording studio, and continuously voiced negative views even after the group called it quits. He wasn't ever shy to throw certain Beatles songs under the bus.
In fact, Lennon wasn't happy with any of The Beatles' songs, it turns out, and once confided in one of the most important figures in the band's life, their producer, George Martin, who was often referred to as the fifth Beatle, about a wild wish he had about their tunes.
Source: Danny Gutmann, Hannah Furnell/irishstar.com
The Beatles' meteoric rise to fame was nothing short of dramatic. After becoming the biggest band in Liverpool in 1962, they took the UK by storm in 1963, securing their first official number one single with 'From Me to You', followed by their debut album 'Please Please Me' topping the charts after its release in March.
By 1964, they were a global sensation. The Fab Four were in the midst of a 19-date concert residency in Paris on January 25, 1964, when their manager Brian Epstein informed them that they had achieved their first number one in America with 'I Want to Hold Your Hand' topping the US's Cashbox charts.
The song reached number one on the USA's main chart - the Billboard Hot 100 - by February 1 and remained there for seven weeks. At this point, Epstein decided it was time to capitalise on international markets.
Given The Beatles' early success in the clubs of Hamburg, Berlin-based Odeon Records suggested to Epstein and producer George Martin that singing in German would boost record sales in West Germany. Consequently, The Beatles were ushered into the Pathé Marconi studio in Paris on January 29 to sing in a foreign language.
Translations of 'She Loves You' and 'I Want to Hold Your Hand' were provided, but John Lennon, Paul McCartney, Ringo Starr and George Harrison were not particularly enthusiastic about the idea. They would have preferred to stay in their hotel, reports the Liverpool Echo.
Mr Martin recalled in 'The Complete Beatles Recording Sessions' by Mark Lewisohn: "I fixed the session for late morning. Norman Smith, myself, and the translator, a chap named Nicolas, all got to the studio on time, but there was no sign of The Beatles. We waited an hour before I telephoned their suite at the George V hotel.
"Neil Aspinall answered: 'They're in bed; they've decided not to go to the studio'. I went crazy – it was the first time they had refused to do anything for me. 'You tell them they've got to come, otherwise I shall be so angry it isn't true! I'm coming over right now'.
Source: Dan Haygarth/uk.news.yahoo.com
Speaking with The Guardian earlier this year, John Lennon’s oldest son Julian Lennon said that Beatles projects like Peter Jackson’s Get Back or the newly restored Let It Be are “news to me half the time.” That was also the case with Sam Mendes’ four simultaneous biopics. “Normally I’m kept out of all the Apple and Beatles stuff,” Julian explained in a recent interview with Rolling Stone. “Sean [Lennon, his half-brother] and I have a great relationship, but he can’t even talk to me about that stuff legally, which is a little uncomfortable, because he wants to tell me stuff, but he can’t. But Sean got in touch and said, ‘Listen, Sam Mendes wants to get in touch.’ I went, ‘Really? Why?’ I hadn’t even heard of the four new Beatles films. And initially, I just thought to myself, ‘You’ve got to be kidding me. Another freaking Beatles film? Haven’t we had enough?'” He laughed.
Julian’s interactions with the filmmaker seem to mark a difference from how he’s usually treated by the Beatles’ management. “Sam and I met earlier this year and had lunch. He was an absolute gentleman,” the musician and photographer gushed. Mendes asked him for stories he might remember of the Beatles phenomenon, but Julian admitted he was too young to remember much. “Then he said, ‘The most important thing for me, Jules, is that I want to make sure that your story and your mother’s story are told with absolute clarity and truth, whatever that means.’ And I just said, ‘I truly appreciate that.'”
Source: Mary Kate Carr/avclub.com
A Utah woman helped design one of the most famous Beatles album covers of all time: Sgt. Pepper’s Lonely Hearts Club Band.
Jann Haworth was just 24 years old when The Beatles asked her to co-create the iconic cover for their 1967 album.
“We were hearing a few tracks we would go over to Paul’s house and listen to another track,” she recalls casually referring to that Paul McCartney. A few days later, she helped bring to life the concept that became history: a full-size set, surrounded by life-sized cutouts of cultural icons, where The Beatles would stand for their photograph. “The Beatles are wearing uniforms from a different era,” she says. “It’s quite nostalgic if you look at it.”
Today, that nostalgia lives quietly in her Salt Lake City home — though not quite the way you’d expect. Her Grammy sits on the sofa in shambles, teeth marks and all. “The dog chewed it there,” she laughs. “If it were precious on a shelf — meh.“
More than 50 years later, she views her work with a new perspective. “There are deficits on the cover,” she admits. “Only twelve women, and six are fictional.”
After moving to Utah in the 1990s, Haworth began revisiting those gaps through her life-sized mural art. Her “SLC Pepper” mural near Pioneer Park reimagines the cover with 50 percent women. “Much of the work I have done in Salt Lake is, in some ways, an apology or revisiting of the Sgt. Pepper problems,” she says.
Her work today continues that mission — empowering local artists, students, and entire communities to take part in large-scale public art projects that celebrate inclusion. From community murals to collaborative installations, Haworth brings people together to literally paint a fuller picture, one that reflects everyone’s story.
“If you don’t change as you grow older and wiser and more informed, there’s something wrong.”
Source: Kristen Kenney/kutv.com
