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Today Kaleidoscope Entertainment is delighted to announce that it will release the new Beatles documentary: IT WAS FIFTY YEARS AGO TODAY! THE BEATLES: SGT. PEPPER & BEYOND in UK cinemas 26th May, including special Q&A previews across the UK, followed by its release on Digital 1st June (EST 01 June, TVOD 08 June) and DVD 3rd July.

The film will also be available on a special collector’s edition double-disc Blu-Ray and double-disc DVD with over 4.5 hours’ worth of exclusive bonus material. A special launch event is also planned in Liverpool, the home of The Beatles on the 1st June – the 50th Anniversary date of the Sgt. Pepper Album.

From the Emmy nominated director of Monty Python: Almost The Truth, Alan G. Parker (Rebel Truce: The Story of The Clash, Hello Quo, Never Mind the Sex Pistols, Who Killed Nancy) and produced by Reynold D’Silva and Alexa Morris, the film features incredible rare archival footage unseen since the 1960s. The film also features rare interviews with The Beatles’ original drummerPete Best, John Lennon’s sister Julia Baird, Beatles’ manager Brian Epstein’s secretary Barbara O’DonnellSteve Diggle of the Buzzcocks, Beatles associate Tony BramwellPattie Boyd’s sister Jenny BoydHunter DaviesSimon Napier-BellRay ConnollyBill HarryPhilip NormanSteve TurnerAndy Peebles, Freda Kelly and The Merseybeats.

Source: Fan Carpet

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The most ambitious reissue yet of an individual album from the Beatles’ catalog is coming May 26 with an expanded and newly remixed edition of the Fab Four’s 1967 pop masterpiece, “Sgt. Pepper’s Lonely Hearts Club Band.”

Consistently ranked by critics and fans among the most influential rock albums of all time, “Sgt. Pepper” is being reissued in multiple formats and editions, including new stereo and surround-sound audio mixes along with nearly three dozen previously unreleased recordings from the same sessions.

“It’s crazy to think that 50 years later we are looking back on this project with such fondness and a little bit of amazement at how four guys, a great producer and his engineers could make such a lasting piece of art,” Paul McCartney writes in a new introduction for the anniversary edition of a project that started out as his baby.

In a 1970 interview with Rolling Stone, John Lennon said, “It was a peak. Paul and I were definitely working together.”

Ringo Starr, the quartet’s other surviving member, writes in his introductory remarks to the new edition that “‘Sgt. Pepper’ seemed to capture the mood of that year, and it also allowed a lot of other people to kick off from there and to really go for it.”

Indeed, the Doors’ drummer, John Densmore, told The Times recently, “We were working on our second album, ‘Strange Days’ [in 1967] and while we were working on it, we got an early copy of ‘Sgt. Pepper’ and we just died. That made us experiment more, inspired us to try the Moog synthesizer, made us generally be wild and just say ‘What the hell?’”

By: Randy Lewis

Source: Los Angeles Times

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Unlike his loquacious and chatty dad Paul, James McCartney is a man of few, but well-chosen words. 

But get him one subject he is passionate about -- like animal rights and vegetarianism -- and he opens up a bit more.

"Hopefully animals won't be killed one day, preferably now as we live in the here and now, and they will be helped to live the lives they truly want to in their hearts," he said in a recent interview. "I know vegetarian/vegan/ayurvedic are the healthiest diets."

It's safe to say that McCartney will have plenty of vegetarian dining options when his tour hits Northampton at the Iron Horse Music Hall on April 7. 

McCartney is touring in support of his latest record, "The Blackberry Train," on which he worked with legendary producer Steve Albini (of Nirvana and Pixies fame). The opening track, the jangling rocker, "Too Hard," also features George Harrison's son Dhani on guitar and vocals. McCartney indicated that he and Albini got right down to work when it came to making the record.

By: George Lenker

Source: Mass Live

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The Beatles' George Harrison, the "quiet one," was in truth a kaleidoscopic force of nature. His songs and musicianship -- both with the fab four and beyond -- have not just aged well, but have become straight-up classics enshrined in the firmament of the 20th century music canon.

Without "If I Needed Someone," "I Me Mine," "Something," "Taxman," "Here Comes the Sun," or "While My Guitar Gently Weeps," the four would have been unbearably less fabulous. The same goes for his myriad of envelope-exploding contributions, including his chiming 12-string Fireglo Rickenbacker used throughout Hard Day's Night, his #wtf time-warped backward guitar on "I'm Only Sleeping" and his tamboura from the astral plane on "Tomorrow Never Knows." Harrison's genius is best summed-up perhaps with yet another of his underrated brilliant album cuts: "It's All Too Much."

And it never stopped. Harrison's 1970 magnum opus/dam burst following the Beatles' dissolution, All Things Must Pass, is filled with sublime sounds. The raw harmonica-driven "Apple Scruffs" could have been a White Album classic, his prostration before the universe in "My Sweet Lord" somehow became a pop staple (despite frivolous litigation) and the loping sing-along of "What is Life" all stand up to anything he did before or since.

By: Andy Gensler

Source: Billboard

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The Beatles are reportedly readying a 50th anniversary release of their landmark album "Sgt. Pepper's Lonely Hearts Club Band."

While no official announcement has been made, the band's websitefeatures four color bars matching the "Sgt. Pepper" uniforms worn by the Fab Four on the cover of that album, which was released on June 1, 1967.

Britain's The Times, citing sources at The Beatles' Apple Records, said the re-release will include "Strawberry Fields Forever" and "Penny Lane" as bonus tracks. The songs were recorded during the same sessions as the songs on the "Sgt. Pepper" album, but were released four months earlier as a double A-sided single.

Decades later, producer George Martin said it was a mistake to have not included those two songs on the album.

Keith Allison, former bassist for Paul Revere & the Raiders bassist, noted on Facebook that he heard an advance copy of the remastered  "Sgt. Pepper" album while visiting Beatle Ringo Starr a few month ago

By: Ray Kelly

Source: Mass Live

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Paul McCartney took the term “solo album” to the next level on his first release following the dissolution of the Beatles in 1970. The multi-talented musician played every instrument on the appropriately titled McCartney, drawing on skills he’d honed through years serving as the group’s utility man — mastering guitar, bass, piano, and even drums. (That’s him, not Ringo Starr, behind the kit on "Back In The USSR,” “Dear Prudence” and "The Ballad of John and Yoko.”)

The one-man-band approach was temporarily retired after he formed Wings in 1971, but McCartney continued to play a variety of instruments throughout his career. On 1989’s Flowers In The Dirt, which just received a deluxe reissue treatment as part of the McCartney Archive Collection, he can be heard laying down the beat on the funky “Rough Ride.”

“I have a kit which is based on Ringo’s. I figure I can’t go far wrong with a kit like his,” McCartney, 74, tells PEOPLE. “So it’s lovely, I love it. I always like a chance to get on the kit. I’ve done it since the early days of the Beatles.”

It was a talent developed out of equal parts curiosity and necessity in the early 1960s, when the nascent band were playing a club residency in the seedy red light district of Hamburg, Germany. “There’d be these kits lying around from the other bands. I’d occasionally get down and practice on ‘em and see if I could figure ‘em out. But one of the nights, one of the guys we used to work with, Tony Sheridan, his drummer hadn’t turned up. So I drummed with him. It was terrifying, but it gave me a love of drumming.”

By: Jordan Runtagh

Source: People

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It was a night that changed music history: Dec. 8, 1980.

Beatles alum John Lennon, who taught us all to "Imagine" had just returned home with his wife Yoko Ono when he was assassinated outside the Dakota Building on the Upper West Side of Manhattan.

 Now, WTOP is learning exclusive insights on that fateful night from singer/songwriter Willie Nile, who performs at Hamilton Live on April 8 and was at the recording studio with Lennon that night.

 “On Dec. 5, 1980, I took my band in to make my second album for Arista Records,” Nile told WTOP. “I was in Studio A and John was in the mix room upstairs with Yoko working on a Yoko project. My co-producer, Thom Panunzio, knew John [and] said, ‘Do you wanna meet John?’ I said, ‘Yeah, absolutely, but let’s wait a couple days.’ … This was Friday night, so I figured Tuesday we’ll see him.”
 
During the interim, Lennon’s team actually called downstairs to ask Nile a favor.
 
“Sunday night, the 7th of December, we’re in the studio recording and the phone rings at midnight,” Nile said. “It’s one of John’s engineers saying, ‘John is out of guitar strings. Do you have any guitar strings he could use?’ We just looked: ‘John Lennon needs guitar strings?!?’ So we go diving into our bags and pull out guitar strings. I was gonna put a note with the strings: ‘To John, thanks for the music. Love ya,’ but I decided that’s too corny. I’m gonna meet him in a few days. I’ll tell him when I see him.”
 
By: Jason Fraley
 
Source: Washington's Top News
 
A popular school caretaker and lifelong Beatles fan has described his amazement after receiving a signed letter from Sir Paul McCartney to wish him well in his retirement. Janitor Andy Cairns was presented with the note at a surprise special assembly on his last day at the Edinburgh school where he has worked for the last four years. Sir Paul sent the note - in which he urges the caretaker to "keep rockin'" - after all of the children at the city's St Cuthbert's RC Primary School wrote to the star. Speaking after the presentation, Mr Cairns, who turned 65 this week, told Press Association Scotland: "I'm a big Beatles fan. The kids had sent letters to his office and he responded, which was amazing. "I'm just overwhelmed. I thought I was in a dream at first. Words can't describe it, I'm such a fan, it's just amazing." Mr Cairns is retiring after 50 years of work, primarily as a mechanic and more recently as janitor at the school.
It's one thing for an album to come along and press itself so deeply into the culture that little feels the same after its arrival, but what are the chances that that same album would have the most iconic LP artwork of all time? So it goes with the Beatles' Sgt. Pepper's Lonely Hearts Club Band and its wonderful swirl of visuals, ranging from that most distinguished assembly of personalities on its front cover courtesy of Pop artists Peter Blake and Jann Haworth, to some sleeve work by the Dutch design team the Fool, to Michael Cooper's photographs, to the grab-bag of cut-out treasures that accompanied the album. Art dealer Robert Fraser helmed the proceedings as art director, with the most legendary cover-art shoot in rock history transpiring 50th years ago on March 30th. The cover was lavishly pricey to produce, but it solidified the Beatles' mythic status for all time. Here are 10 things you might not know about the iconic look of Sgt. Pepper.
"You say stop and I say go go go, oh no" — Paul McCartney and John Lennon. On Wednesday, Paul McCartney responded to Sony/ATV's suggestion that he brought an "unripe" lawsuit seeking confirmation he'll reclaim rights to Beatles songs next year. In a letter to the judge, his lawyer Michael Jacobs writes, "Delay would not simplify the parties' dispute, but it would prejudice McCartney. As long as Sony/ATV refuses to disavow any right to sue for breach of contract, McCartney has a cloud over the title to his works, which devalues his rights." In reaction to the lawsuit, Sony sent its own letter to the judge in anticipation of a conference that would lay out a forthcoming motion to dismiss.