The Contemplative Story of Dear Prudence
I love the Beatles, and like many Beatles fans, I think The White Album is one of their great masterpieces. And one of the best songs on The White Album is, without question, “Dear Prudence.”
But did you know that the song was influenced by the music of the Gypsies, Transcendental Meditation, and the daughter (and sister) of Hollywood celebrities?
“Dear Prudence” was written in early 1968, when the Beatles were in India, while John and George were studying Transcendental Meditation with the Maharishi Mahesh Yoga. It was written for a woman named Prudence Farrow (Mia Farrow’s sister) who was there meditating as well, and became so immersed in her meditation practice that she rarely left her room. Hence John Lennon wrote a playful song for her, where he sings, “Dear Prudence, won’t you come out to play?” The music was inspired, at least in part, by a Gypsy style of guitar picking that John learned from the folk-rock musician Donovan, also studying with the Maharishi.
While on the surface the song could be seen as a playful rebuke to excessive spirituality — Prudence, don’t waste your time meditating, come out to play! — at its heart “Dear Prudence” makes a powerful statement for an integral contemplative perspective: where Prudence (and by extension, anyone who listens to the song) is “part of everything” and is invited to “look around, round, round” and see the beauty in all things. The song is a reminder that there is really no line separating “spirituality” from the rest of life: it’s all connected. The point behind a contemplative practice, after all, is not merely to lose ourselves in meditation; but rather to find, through the disciplined attention of silent awareness, that we really are “part of everything” and it’s all beautiful — and so are we.
By: Carl McColman
Source: Patheos
